This film pioneered the "dolly zoom"—moving the camera forward while zooming out (or vice versa)—to visually simulate the sensation of acrophobia. It creates a dizzying, distorted perspective that makes the world feel like it is stretching away from the protagonist, Scottie.
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Hitchcock and cinematographer Robert Burks used a vivid color palette to signal psychological states. Green is famously used to represent the ghostly, ethereal presence of Madeleine, most notably in the haunting neon glow of the Empire Hotel Medium . This film pioneered the "dolly zoom"—moving the camera