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: The song primarily revolves around Am – Bbmaj7 – Fmaj7 – Dm .
: A defining feature is the bright, synth-brass hook in the chorus. Layer multiple brass samples (trumpets/sax) with a short decay to make it "pop". 3. Vocal Production
: Use a short "slap" delay and a bright plate reverb to give the vocals presence without washing them out.
: Dua Lipa’s delivery is "cool" and airy. Avoid over-singing; focus on a breathy, effortless tone. Processing : Tuning : Use transparent pitch correction (like Antares Auto-Tune Go to product viewer dialog for this item. ) for a modern pop polish.
: This is the track's engine. Use a FM-style bass (like a Yamaha DX7 "Solid Bass" preset) or a deep, plucked sub-bass. The rhythm should be syncopated, often hitting on the "off-beats" to create a "galloping" feel.
: Record multiple takes of the "One, one, one..." hook and pan them wide for a "gang vocal" effect. 4. Arrangement & Mixing
