VOLUME 11, ISSUE 37
January 17, 2019
ARTICLES IN THIS ISSUE:
The Demise in Popularity of Critical Wine Score Pronouncements Mining Oregon’s Willamette Valley for Good Pinot Noir Priced at or Less Than $30 Pisoni Vineyard Pinot Noir: An Iconic Wine Unlike Any Other Merry Edwards: The Reine De Pinot Recently Tasted California Pinot Noir & Chardonnay Pinot Briefs Wine for Dummies, 7th Edition Search This Site: |
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Kemani Tatyos Efendi Gamzedeyim Deva Bulmam -Gamzedeyim deva bulmam, (I am in sorrow, I find no cure,) Garibim bir yuva kurmam, (I am a stranger/loner, I shall never build a home,) Kaderimdir hep çektiğim, (Suffering is my ultimate destiny,) İnlerim hiç reha bulmam. (I moan in pain, never finding deliverance.) Story goes that as a young man, Tatyos fell in love with a woman from his community, but her family moved away (some variations say to Yerevan), separating them for 30 years. Born Tatyos Enserciyan in Istanbul, he was a master of the keman (violin) and a giant of the late Ottoman classical tradition. Despite his massive musical influence and a legacy of roughly fifty influential compositions, he lived a life plagued by poverty, loneliness, and heavy drinking. He died in 1913, reportedly in extreme destitution, with his church registry simply listing him as "Tatyos the musician." 📜 Meaning & Translated Lyrics Kemani Tatyos Efendi Gamzedeyim Deva Bulmam The "Diva of the Republic" gave it a quintessential, heavy-hearted classical vocal delivery. While historians note that the song reflects Tatyos’s own harsh, impoverished life and declining health, a deeply rooted urban legend frequently accompanies it: Gamzedeyim deva bulmam, (I am in sorrow, I The song, written in the traditional Uşşak makam (melodic mode), stands as one of the most profound expressions of grief, unrequited love, and existential exhaustion in the history of Turkish music. 🎻 The Creator: Kemani Tatyos Efendi A modern alternative rock band that recently introduced the song to Gen Z with a brooding, instrumental-heavy version. Despite his massive musical influence and a legacy While born in the meyhanes (taverns) and musical courts of the Ottoman 19th century, "Gamzedeyim Deva Bulmam" successfully bridged the gap into the modern era. It stopped being just an old classical piece and became a standard of Turkish rock and folk, most notably covered by: |
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