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Perahia is noted for his "delicate" touch compared to other masters, with a gift for reducing his voice to a whisper while remaining eloquent.

2. Mitsuko Uchida & English Chamber Orchestra (or Cleveland Orchestra)

The famous Andante of No. 21 is played with "affecting delicacy" and "empyreal heights". 3. Alfred Brendel & Academy of St Martin in the Fields Mozart_PConcertos_21_24.rar

Uchida is celebrated as a Mozartian of "exceptional sensibility". Her recordings often highlight the stark contrast between the bright No. 21 and the tragic No. 24.

The slow movement of No. 21 is described as "magical," while the C minor concerto (No. 24) is delivered with "fluency and strength". Perahia is noted for his "delicate" touch compared

Below are reviews of the most highly regarded recordings for this pairing: 1. Murray Perahia & English Chamber Orchestra

Brendel’s interpretations are often favored for their intellectual depth and "gentle wit". 21 is played with "affecting delicacy" and "empyreal

His reading of No. 24 is described as "deep" and "multi-layered," avoiding the "clipped" feel found in less successful versions. Mozart Piano Concertos Nos 20 & 21 - Gramophone