: Cinematographer Owen Roizman shot much of the film in actual subway tunnels and transit centers, giving it a "newsreel" realism that makes the underground setting feel claustrophobic and immersive.
: Sharpening textures in clothing and facial features that were previously lost in dark subway scenes. The.Taking.of.Pelham.One.Two.Three.1974.REMASTE...
: The film features a highly influential, jazz-inflected score by David Shire , described as one of the most inventive thriller soundtracks of that decade. The 4K Remaster Difference : Cinematographer Owen Roizman shot much of the
: Deepening black levels in the tunnels while making occasional pops of color (like Walter Matthau's yellow tie) stand out. jazz-inflected score by David Shire