
CodeQuest 2024 brings coding and competition together in a month-long global coding challenge for the top. We use the reputable CodeCombat multiple players arena algorithm challenge, which was used in the 33rd IOI competition(2021) for global top coding players from 87 countries and regions.
Based on the final ranking we're currently reaching out to those on the top of the leaderboard via email, WeChat, Facebook, WhatsApp and etc to verify information.
We will announce winners in early Sempter (the time will be determind later). Please follow our news to stay tuned.
Thank you to all the CodeQuest 2024 Global Tournament participants who joined us this year, BEST LUCK!
The song’s lyrics are a direct adaptation of the found in the epigraph of The Lord of the Rings . While the poem is widely known among fans, hearing it set to music at the exact moment the Three Elven Rings are forged provides a chilling sense of "myth-made-manifest." By using the full text—from the "Three Rings for the Elven-kings" to the final "In the Land of Mordor where the Shadows lie"—the song acts as a musical anchor for the entire season's buildup [1]. Musical Composition
The arrangement begins with a sparse, ominous tone that gradually swells into a grand, orchestral finish.
Placing this song in the is a deliberate stylistic choice. After the revelation of Sauron’s identity and the forging of the rings, the song serves as a grim "period" at the end of the season's sentence. It transforms a familiar piece of literature into a warning, signaling that the deception of the rings has officially begun.
Bear McCreary utilized a specific (a recurring musical theme) throughout the first season that fans came to associate with the mystery of the rings. In the finale, this theme is finally fully realized.
Top 3 - First Prize Award
Top 4 - 50 – Second Prize Award
Top 51 – 150 - Third Prize Award
Top 3 - First Prize Award
Top 4 - 50 – Second Prize Award
Top 51 – 150 - Third Prize Award
Top 3 - First Prize Award
Top 4 - 50 – Second Prize Award
Top 51 – 150 - Third Prize Award

The song’s lyrics are a direct adaptation of the found in the epigraph of The Lord of the Rings . While the poem is widely known among fans, hearing it set to music at the exact moment the Three Elven Rings are forged provides a chilling sense of "myth-made-manifest." By using the full text—from the "Three Rings for the Elven-kings" to the final "In the Land of Mordor where the Shadows lie"—the song acts as a musical anchor for the entire season's buildup [1]. Musical Composition
The arrangement begins with a sparse, ominous tone that gradually swells into a grand, orchestral finish. The song’s lyrics are a direct adaptation of
Placing this song in the is a deliberate stylistic choice. After the revelation of Sauron’s identity and the forging of the rings, the song serves as a grim "period" at the end of the season's sentence. It transforms a familiar piece of literature into a warning, signaling that the deception of the rings has officially begun. Placing this song in the is a deliberate stylistic choice
Bear McCreary utilized a specific (a recurring musical theme) throughout the first season that fans came to associate with the mystery of the rings. In the finale, this theme is finally fully realized. Bear McCreary utilized a specific (a recurring musical